Curriculum Vitae
Education
2016– Ph.D., History of Art and Archeology, Institute of Fine Arts, New York University, NY
2014–2016 M.A., History of Art and Archeology, completed with distinction, Institute of Fine Arts, New York University, NY
2008–2012 B.A. with High Honors in Art History, Williams College, Williamstown, MA
Selected Museum, Festival, and Gallery Experience
2023 Co-Founder, Artistic Director, Climate Film Festival, NY
2020, 2023 Associate Film Curator, Paris Moderne, co-curated by Jean-Louis Cohen and Pascal Mory, Power Station of Art, Shanghai
2021–23 Marica and Jan Vilcek Curatorial Fellow, Curatorial Research Assistant, Whitney Museum of American Art, NY
2021 Programme Coordinator and Curator, Architecture Film Festival London, UK
2018–2020 Graduate Curatorial Assistant, Grey Art Gallery, New York University, NY
2015 Summer Curatorial Intern, Media and Performance Art, Museum of Modern Art, NY
2014–15 Gallery Assistant, Pia Gallo: Fine Old Master and Modern Prints and Drawings, NY
2006–2014 Chief Curator, Consultant, Intern, The National Monuments Foundation, Atlanta, GA
2010, 2012–13 Curatorial Assistant, Curatorial Intern, Modern/Contemporary Art, High Museum of Art, GA
2013 Gallery Assistant, Momentum Worldwide Gallery, Berlin, Germany
2010 Commissioner’s Assistant, U.S. Pavilion, Venice Architecture Biennale, Italy
2010 Film & Video Summer Intern, Whitney Museum of American Art, NY
Selected Publications
2024 “Body Talk: Between Architecture and Analogy in Michelangelo Antonioni’s The Passenger,” in Watch This Space: Contemporary Perspectives on Architecture
and Film (Bristol, UK: Intellect Books, 2024)
2024 “Cinematic Skins: Film Architecture and Animism in Interwar France,” 2023 Animated Architecture conference, Technische Universität, Vienna, peer reviewed
conference proceedings
2022 “Postwar Motion Pictures and American Projections in Paris,” in Americans in Paris: Artists Working in France, 1946–1962 (Munich: Hirmer Verlag, Grey Art
Gallery, NYU, 2022), 181–92
2022 “July–December, 1963,” 120 timeline entries, New York: 1962–1964 (New York: The Jewish Museum, 2022)
2021–22 Managing Editor, Duke House and the Making of Modern New York, Daniella Berman, Jean-Louis Cohen, and Jon Ritter, eds. (Brill: Leiden, 2022)
June 2021 “Architecture, Film, and the Archive,” curatorial essay, Architecture Film Festival London
April 2021 “Bebop in the Underbelly: African American Experience and the Parisian Underground,” 2021 Architecture & Film Symposium, conference proceedings
January 2021 “Exhibition review: Alice Quaresma’s at HOME, Pablo’s Birthday, New York,” SEQUITUR online journal, Boston University
Fall 2020 “Red Film, Blue Prints: Early Soviet Cinema’s Architectural Imaginary,” Framework: Journal of Cinema and Media 61, no. 2 (Fall 2020): 107–44
2015 “I Would’ve Ripped It Out and Kept It Forever,” exhibition catalogue essay, 80WSE Gallery, New York University
Conference and Program Participation
2023 “Cinematic Skins: Film Architecture and Animism in Interwar France,” Animated Architecture: Movement and Mobility in the Experience of Modern Architecture &
Design, Technische Universität Wien, Vienna
2023 “Bebop in the Underbelly: ’60s Cinema and the Parisian Underground,'“ panel: Place, Practice, and Activism Through Film, CAA, NY
2022 Invited discussant, panel: Urban Space in Socialist and Post-Socialist Cinema, Association for Slavic, East European, and Eurasian Studies (ASEEES), Chicago, IL
2021 “Cinematic Skins: Film Architecture and Animism in Interwar France,” Society for Cinema and Media Studies (SCMS), virtual conference
2021 “Stereoscopic Sites: Theories of Embodiment and Axonometric Design, c. 1850,” Association for Art History (AAH), University of Birmingham, UK
2021 “Bebop in the Underbelly: African American Experience and the Parisian Underground,” Architecture & Film Symposium, virtual conference
2020 “Body Talk: Between Architecture and Analogy in Michelangelo Antonioni’s The Passenger,” AMPS: Parade conference, University of Kent, UK, virtual conference
2019 “Red Film, Blue Prints: Soviet Cinema’s Architectural Imaginary,” IFA-Frick Symposium, Institute of Fine Arts, New York University
2018 Center for Curatorial Leadership/Mellon Foundation Ph.D. Summer Seminar
2017 “Attitude and Architexture in Michelangelo Antonioni’s The Passenger,” IFA Symposium, Institute of Fine Arts, New York University
Teaching Experience
2023 CORE Curriculum Course Assistant, Expressive Culture: Architecture in New York, Department of Art History, New York University. Instructor of record: Mosette
Broderick
2020 Adjunct Instructor/Section Lead, History of Western Art II, Department of Art History, New York University. Instructor of record: Louise Rice
2019 Adjunct Instructor/Section Lead, Expressive Culture: Modern Architecture: 1900 to the Present, CORE Curriculum, New York University. Instructor of record:
Jean-Louis Cohen
2018, 2019 M.A. Thesis Spring Workshop Leader, Institute of Fine Arts, New York University
2018 Course Assistant, Social History of Photography, Department of Art History, New York University. Instructor of record: Shelley Rice
2018 Course Assistant, Aesthetic History of Photography, Department of Art History, New York University. Instructor of record: Shelley Rice
2016 Course Assistant, Frank Gehry’s Architecture, Institute of Fine Arts, New York University. Instructor of record: Jean-Louis Cohen
2016 Course Assistant, Modern Art, 1750–2016, Department of Art History, New York University. Instructor of record: Pepe Karmel
2016 Course Assistant, Shaping the Urban Environment, Department of Art History, New York University. Instructor of record: Jon Ritter